Proof of Unreliability in the Cask of Amontillado

Michael Ljubsa ID 1790093 Rashmi Jyoti ENGL-103 CU85 Word itemize 998 Proof of Unreliability in The cask of Amontillado Edgar Allan Poe is an author known for his pieces of writings which capture the element of mystery. Many times, scholars debate over the true importee behind his texts as they are often written as narratives. This compounding of an unclear meaning behind his work and the fact that his stories are narratives often leads to the question of, To what extent give the axe the teller be relied upon? The same smother arises in Poes, The Cask of Amontillado.The fiction is a reflection of the past, involving a spot that evolves into a murder mystery involving two gentlemen, Montresor and Fortunato. The allegory is told from Montresors point of view, recalling an typesetters case that occured fifty dollar bill years ago. Montresor secretly despises Fortunato due to past ill-treatments that are claimed to be unforgiveable. Montresor demands r even upge for these a cts and plans Fortunatos murder and later tricks him into death. The story provokes questioning as to whether the narrator of the story can be relied upon to accurately display the events described.In Edgar Allan Poes, The Cask of Amontillado, Montresor does not provide enough insight into the information that remains with hidden meaning. He fails to provide significant causes for action due to the lack of description and proof, and the arugment of whether Montresor could be considered insane also arises. Montresor only further confuses the reader by pointing come out all the obvious chaff surrounding the two main characters Montresor and Fortunato. Therefore, the narrators accounts cannot be considered reliable.The lack of Montresors ability to explain the past and why he feels such a hatred towards Fortunato is why his account of the story cannot be relied upon. The Cask of Amontillado begins with Montresor providing his own reason for wishing death upon Fortunato. The two firs t lines read, The gram injuries of Fortunato I had borne as best I could, but when he ventured upon ill-treatment I vowed revenge(218). Right from the start the reader is confused as to what this insult actually is, as it remains to go unexplained for the oddment of the story. In her article discussing The Cask of Amontillado, Elena V. Baraban asks, Why did he do it? (47) The catch of the story comes from attempting to answer this plain simple question. Many stories would provide a motive and reason for such horrendous acts however, Montresor provides no such account statement for the murder he commits. It can be continually questioned as to what this insult was, as no rational person would avenge an insult with murder. The narrators reliabilty is questioned even further considering Montresor withstood thousand injuries borne upon him by Fortunato. It seems as though Montresor was not remotely bothered by these injuries, which reiterates the question of Why did he do it?What ju st made Montresor take Fortunatos insult in such a withering and hateful way that would manufacture him wish death upon Fortunato? This confusion proves the narrators unreliability. A second idea supporting the notion that Montresor is an punic narrator is the seemingly apparent insanity of Montresor. Restating the thought of Montresor murdering Fortunato over an insult supports the idea of Montresor cosmos insane. An instance where Montresor could be viewed as insane would be where he is imprisoning the missed Fortunato behind a brick wall that he has constructed. I placed my yield upon the solid fabric of the catacombs, and felt satisfied. (222) The gratification that comes of ease over Montresor as a result of his murder makes insanity a high mishap for a motif behind his actions. Montressors fulfillment is also shown when he states, My nerve center grew sick it was the dampness of the catacombs that made it so (223). Even after fifty years, Montresor feels absolutely no remorse for his actions. Such a lack of grieve and guilt, even after fifty years, could only be found with a psychopath. Montresors insanity makes his description even more unreliable.Another aspect of the story that makes Montressor unreliable is all the irony that he brings to our attention. We find that Fortunato is named ironically, as Fortunato, closely resembles the say fortunate. This man resembling the word fortunate actually ends up having a very unfortunate death as he is manipulated by Montresor and gets conceal alive. Additionally, Fortunato wears a jest costume complete with the cap and bells. This provides early signs that Fortunato is to capture a fool. On the other hand, Montresor wears a silk black mask wake the readers that he is indeed the dark, manipulative figure in the story.Another example of irony is how the setting of the story is initially the carnival, and quickly turns into that of the dark, damp, catacombs. All of these examples make the story sound too ironic in a sense, therefore, its credibility is clayey to trust. This, along with other ironic events such as the Montresor family crest meaning, No one insults me with impunity(220), and Fortunato drinking a wine named De Grave (grave), proves this storys undependable plot. It can be clearly seen that the narrator provides a recollection of events that are evidently unreliable.The fact that no reason for cause is shown by the narrator, as strong as the likelihood of the character playing the narrator being emphatically insane, proves that the story is unreliable. These factors, in addition to the confusion resulting of endless irony would make any logical reader question the validity of the narrators accounts. A story such as The Cask of Amontillado shows readers that narratives require most sense of minimize information and that the character narrating should be viewed as logical, in order to be considered reliable.Also, the plot must not be twisted by some sort of oth er element, such as irony, which was seen in this story. A conspiracy of such factors will allow readers to depict the narrators accounts as an accurate portrayal. References Baraban, Elena. The creator for Murder in The Cask of Amontillado. Rocky Mountain Review of dustup and Literature. 58. 2. (2004) 47-62. Print. Poe, Edger Allan. The Cask of Amontillado. Portable Literature Reading, Reacting, Writing, Eighth Edition. Ed. Michael Rosenberg. Boston Wadsworth, 2012. 218-223. Print.