The Film O brother, where art thou? Essay -- Film Movies Movie Art T

The Film O brother, where art thou? The motion picture O brother, where art thou? is correct in the Great Depression of the 1930s and emphasizes the struggle between the speeding and spurn classes by using a variety of cinematic devices. through with(predicate) the use of these cinematic devices and comedic relief the realities of the Depression are viewed without creating a stark, melancholy, documentary-styled film. Examples in this film of these cinematic devices used to show these realities includebleak colors, secern of light and dark colors, long rays, high-angle shots, and spherical camera lenses. These particular devices put forward a glimpse at the realities of the oppression, poverty and despair of many of the American people during this time. From the start of the film it is apparent what time frame it is fetching place in and the differences in the social stratification through the escape of colors. One of the most obvious portrayals of the bleakness a nd desperation of the era is the boilersuit faded and washed-out look of the whole film, due to manipulation of the film saturation the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the expression of the colors. Together, they worked on manipulating the digital saturation of the images, and in particular selecting the greens of the trees and grass and crook them into dry browns and yellows (Escaping, 2). These dry brown and yellows enhance the audiences clinical depression of the desperation of the fibres and the time period.Brown is a prominent color shown not only in the overall appearance but in the sp... ...ts was very distinguishable. This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices, A good film is not a bag of cinematic devices but the em bodiment, through devices, of a vision, an underlying foot (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the characters hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned preceding(prenominal) color, spherical lenses, long shots, and high angle shots. Sources CitedEscaping From the Chain Gang. October 2000. 25 July 2002 <http//www.theasc.com/clip/oct00/brother/pg1.htm.